“So it is an animated movie, but it has all the emotions that you’re going to find in any great story and John gave a great performance and did things with his face in the booth that the animators definitely used.”Ĭosgrove says of playing “Margo” in “Despicable Me 3”: “You prepare and think about your character in the same way as live action and you’re still reacting and giving a full performance.” “This story is about loss and friendship and finding out who you are,” he says. “ really wanted me to be me and express the emotions and things Ferdinand was going through in a very straightforward way,” says Cena, who voiced the title role in “Ferdinand.” “It’s a classic story and he’s going through things like losing a parent or friends that many people go through.” The stories still have their emotional, quiet moments and characters that speak in natural voices. There are so many tangents you can go on with that, and we wanted to explore them.”Īrnett did voice performances in “The Lego Movie,” “The Nut Job” and is the titular character of Netflix series “Bojack Horseman,” and is working on “Teen Titans Go! to the Movies” slated for release in 2018.Īctors aren’t always asked to give a wacky, over-the-top performance when working in animation. “When I was working with on ‘Lego Batman,’ we would go down all these paths with the character and try different things that you couldn’t do if you were on a set with everyone there waiting,” says Will Arnett, who voiced Batman in “The Lego Batman Movie.” “Think about Batman: He’s a billionaire playboy who has a bat cave and he’s raised by an English butler. Entirely new scenes can emerge as part of the production process. Many directors get the chance to workshop the character and the scene and discover new ways it can be played or even entirely new ideas not already on the script’s pages. They’re not as limited as when a physical set is part of what they’re doing. It’s much more forgiving in that sense.”Īctors say they love the time and space they get inside the booth to explore the characters and scenes, even when another actor isn’t there with them. “I often think of a live-action film as being like a live band and an animated film is like a studio band,” says Kyle Balda, helmer of “Despicable Me 3” and “Minions.” “So, with the voice actor we work with them over several sessions and a couple of weeks later a voice actor can say to us that they’ve thought of something new and they want to try it again. Without a physical set, it’s also easier to refine a voice performance. He wants to know where he is and exactly what he’s doing.” As a director what you’re trying to do is give an actor context, and Alec Baldwin is huge on context. “The main thing is to create a safe place for the actors so they can try things. “A lot of people think it’s like an ADR process, like a post process when you’re directing a vocal performance,” says Tom McGrath, the helmer behind “Boss Baby” and the “Madagascar” films. That started to shift in 1992 when Robin Williams gave one of the most memorable voice performances as the Genie in “Aladdin.” Voice-acting gigs were not always seen as plum jobs and voice actors often didn’t receive the same respect accorded other performers. Will Arnett, Rosario Dawson, John Cena and Miranda Cosgrove are just a few of the actors who’ve entered the booth this year to give a vocal performance that will inspire animators as they create a character. From “ the Lego Batman Movie” and “ The Boss Baby” to “ Ferdinand,” theaters are full of animated films showcasing premiere acting talent.
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